Tuesday, 30 September 2014
Wednesday, 5 February 2014
Synoptic - proving a point
What is The Male Gaze (what's it about?)
What are the traditional expectations of Men and Women roles in a film - what are men there do in a film compared to women?
What is genre and why do we have/use it?
How do we know what genre a media text is? What do we recognise?
What needs to be in the opening of a Thriller to keep the audience watching - usually in the form of a question?
Rocky vs Mr T - what roles do they play and why do you need them in a story?
Does the Media re-present reality anymore? What idea do we link to this?
If everything has been done, how do Media producers (film, games, music, etc) create new texts/ideas?
What are the 3 stages of a story?
What happened to the Vampire sub-genre of Horror between these films? What does this show about genre?
Tuesday, 4 February 2014
Time Essay Skills & Theory Revision
"The Media exists not to entertain or inform but to pacify and indoctrinate towards conformity"
What points can you find to support or challenge this?
Use the images below to generate ideas
The skill you have to develop:
Main Body: Go through each theory, in 5 minutes Pre-prepare your examples and points you wish to make.
How? Rewrite the question into something that you have an opinion on.
Point - a conventional idea about N/G/R/A/ML applied to YOUR work
Evidence/Example - from your production ie back up what you have said applies
Analysis - does it challenge or follow these theories and why/how?
Synthesis - Why does your production follow traditional ideas or not - answer the question?
Task: Practice
Lets try the skill in getting ideas out quickly and following structure
Look at the following provocative statement:
"Education exists to train into an acceptance of the way things are, to socialise and indoctrinate towards conformity in the interests of the ruling elite"
Give me 1 point that challenges or reenforces this position, with an example from your own experiences of going through GCSE and A Level. Analyse your example to give a reason of how it does this?
You have 5 mins...
Thursday, 30 January 2014
Thursday, 23 January 2014
Framework How to select theories, make a judgment and present argument
Step 1
List 4 or 5 Theorists that you know or that your sorta understand
Step 2
Define their RULES/ideas, and extract their key terminology (Villain, Enigma, Male Gaze, Equilibrium)
Step 3
Decide which Music Video or Thriller- is more relevant to (follows or challenges)
Step 4
How relevant are these rules or ideas - now in 2014?
Tic (Yes), Cross (No), Frowny Face (Sorta, Meh!)
Make a judgement - does it follow the rules overall or challenge (bend, play with or even break)
Step 5
Draw a conclusion - is your text a POSTMODERN TEXT (aahh!)
List 4 or 5 Theorists that you know or that your sorta understand
Step 2
Define their RULES/ideas, and extract their key terminology (Villain, Enigma, Male Gaze, Equilibrium)
Step 3
Decide which Music Video or Thriller- is more relevant to (follows or challenges)
Step 4
How relevant are these rules or ideas - now in 2014?
Tic (Yes), Cross (No), Frowny Face (Sorta, Meh!)
Make a judgement - does it follow the rules overall or challenge (bend, play with or even break)
Step 5
Draw a conclusion - is your text a POSTMODERN TEXT (aahh!)
Wednesday, 22 January 2014
Representation Exemplar what grade?
1B Essay- Representation
I am going to talk about theories of representation and
how they can be applied to my production work which is a music video
that we made for a pop rock band from London called FranKo. I am going
to discuss the ways in which representation is used and challenged in
our production and also apply some theory to it.
I would like to start off discussing how my production
can be applied to Walter Lippman’s theories about stereotypes. I would
say that our production challenges the stereotypes of females in music
videos as they seen to be slutty but in our production the only female
character is dangerous and blood thirsty. This stereotypes of females
are mainly found in R’n’B videos and they depict women as being objects
for male gain. But this convention stereotype of women is being altered
due to such bands as Paramore and you can this in there video ‘Decode‘
where Haley is being portrayed as strong and independent and we really
wanted to follow onto this representation. I feel that we have done this
as our female character kills the men with ease. The band are very
stereotypically dressed for the genre they are playing as they are all
dressed fashionable and have all been made up to create this image of
the perfect pop rock band.
Women have been represented in so many various ways
from being objects to being there own independent ball busting femme
fetals. Laura Mulvey professes that “all film is shot from the male
gaze” I believe that my production challenges this concept as the
female character is in fact watching the band throughout the video and
therefore it is shot from the female’s perspective. We where influenced
by such media texts as Skrooms where the monstrous character is watching
over her pray and therefore also shot from a feminine angel. John
Berger said “men act women appear” I believe that these feminine
representation are truly challenged in our production as our female
character drives the narrative as without her it would just be a band
walking through the woods and she adds an element of danger. I think
that these theories of how women are represented in media are challenged
so much in the current day that they have become out of date. This
proven in our production.
The femme fetal character type is one that can be found
in our production in the form of our evil female character. Ann Kaplin
is a feminist theorist who talks about the femme fetal role. The female
character in our production uses her femininity to her advantage as she
is seen to be a strong and powerful character through her violent
actions this makes her a femme fetal. We took inspiration from other
femme fetal characters such as Glenn Closes character in fatal
attraction and Halle Berry in Catwoman. Who both use their femininity to
conquer the other sex and though our character may not use her
sexuality directly she does tackle them in a physical way. I think that
this representation is becoming more common as women are becoming more
powerful in society.
Post modernism is represented in most media texts these
days and you can certainly see this in our production as the locations
skip from one area to the next which makes it disjointed as you can see
this in other music videos such as Lady Gaga’s ‘Poker Face‘. The style
of video also jumps around as one moment the band are playing in colour
and the next they are in an old black and white film this is a hyper
real occurrence and represents them jumping from one world to the next.
This is to help the audience represent the music video as a horror
video.
To conclude I think that our production does only
follow the conventions of representation but it also twists and bends
them. I believe that we have challenged the representations of women and
how they are perceived in the media but we are not the first to do this
and this is now becoming the norm. But I do think that our production
uses representation successfully.
Where can it be improved?
AEE (10)
EX (10)
T (5)
Narrative Essay Plan
Introduction: Definition. Which product will you use to discuss and why, which are these theories of Narrative more relevant to? Why is this and why did they lend themselves more generally to a Film than a Music Video - a Modernist or a Postmodern text? TO WHAT EXTENT does your work conform to these rules or does it PLAY or even BREAK them?
Paragraph 1: Todorov
Equilibrium, Disruption, Resolution, analyse your production APPLYing this theory? What was the disruption, was it linear and does it bend or break or follow these 'rules'? Give examples from your Film or Music Video with where these sections are (as in what IS the disruption, how are they constructed on screen?). Does it follow the Linear pathway?
Conclusion - how relevant is this theory or set of rules about Narrative, what happens if you have broken them - particularly for a Thriller?
Paragraph 2: Binary Oppositions (Levi-Straus)
Hero vs Villain, Justice vs Crime etc. How essential is this to your story, have you complicated this with a 'duality' in the characters i.e. Fight club. Does your work play or complicate this simple rule of narrative and why? How did you construct this using examples from your Film or Music Video, costume, role in story etc.
Conclusion - how relevant is this theory or set of rules about Narrative, what happens if you have broken, distorted or complicated them?
Paragraph 3: Enigma Codes (Barthes) and/or 8 Types of Narratives (Domaille)
Obviously relates to your Thriller, however how does your construct the enigma code and what is it? Is this applicable to your Thriller to a large extent - does it in fact rely on it - does Barthes therefore still have a point/relevance?
Domaille - Is your Thriller or Music Video conforming to 1 of the 8 'types' of film narratives? To what extent is categorising Narrative into these structures/boxes a relevant approach to analysing your film - give examples of how your work does this (MES etc)
Paragraph 4: Propp (Archetypes)
How applicable are these character types from Russian Fairytales? Why is that? To what extent is this useful and why - are your characetrs more 'realistic' or complicated? Are you playing with these roles to engage the audience, playing with them (Shrek/Wreck It Ralph) or using them to set out clear understanding of who they are - dumbing down to an audience (Harry Potter)
Paragraph 5: Postmodernism
Grand Narratives - what themes or message come through this that question our belief in Ideologies - justice, faith, family, relationships, gender roles, love etc. that we hold (held) as TRUE? Positive/Clear Resolution? Does the film or Music Video have a clear or open ended resolution. Is it a positive, hopeful story or progress or a cynical and Dystopic ending?
Conclusion
How have you made use of the 'rules' of Narrative in your text? TO WHAT EXTENT? How far would you assess your piece as being a Modern or Postmnodern text? Why/what purpose?
Paragraph 1: Todorov
Equilibrium, Disruption, Resolution, analyse your production APPLYing this theory? What was the disruption, was it linear and does it bend or break or follow these 'rules'? Give examples from your Film or Music Video with where these sections are (as in what IS the disruption, how are they constructed on screen?). Does it follow the Linear pathway?
Conclusion - how relevant is this theory or set of rules about Narrative, what happens if you have broken them - particularly for a Thriller?
Paragraph 2: Binary Oppositions (Levi-Straus)
Hero vs Villain, Justice vs Crime etc. How essential is this to your story, have you complicated this with a 'duality' in the characters i.e. Fight club. Does your work play or complicate this simple rule of narrative and why? How did you construct this using examples from your Film or Music Video, costume, role in story etc.
Conclusion - how relevant is this theory or set of rules about Narrative, what happens if you have broken, distorted or complicated them?
Paragraph 3: Enigma Codes (Barthes) and/or 8 Types of Narratives (Domaille)
Obviously relates to your Thriller, however how does your construct the enigma code and what is it? Is this applicable to your Thriller to a large extent - does it in fact rely on it - does Barthes therefore still have a point/relevance?
Domaille - Is your Thriller or Music Video conforming to 1 of the 8 'types' of film narratives? To what extent is categorising Narrative into these structures/boxes a relevant approach to analysing your film - give examples of how your work does this (MES etc)
Paragraph 4: Propp (Archetypes)
How applicable are these character types from Russian Fairytales? Why is that? To what extent is this useful and why - are your characetrs more 'realistic' or complicated? Are you playing with these roles to engage the audience, playing with them (Shrek/Wreck It Ralph) or using them to set out clear understanding of who they are - dumbing down to an audience (Harry Potter)
Paragraph 5: Postmodernism
Grand Narratives - what themes or message come through this that question our belief in Ideologies - justice, faith, family, relationships, gender roles, love etc. that we hold (held) as TRUE? Positive/Clear Resolution? Does the film or Music Video have a clear or open ended resolution. Is it a positive, hopeful story or progress or a cynical and Dystopic ending?
Conclusion
How have you made use of the 'rules' of Narrative in your text? TO WHAT EXTENT? How far would you assess your piece as being a Modern or Postmnodern text? Why/what purpose?
Tuesday, 7 January 2014
Media Language - Semiotics
Starter:
Denotation & Connotation
Pictionary - draw 'Family', 'Happiness', 'Success', 'Beauty', 'Security', 'Desire'
Now draw 'Forgiveness', 'Disappointment', 'Reality', 'Contentment'
How easy is it for us to communicate - what can you deduce about the ones we can recognise and their promenance as messages or values
Starter: What car would you choose to define you?
http://www.guzer.com/games/createaride.php
<br />
Semiotics Lecture - make notes:
What are the Myths - 'Normalised' Ideologies or Hegemony
Denotation & Connotation
Pictionary - draw 'Family', 'Happiness', 'Success', 'Beauty', 'Security', 'Desire'
Now draw 'Forgiveness', 'Disappointment', 'Reality', 'Contentment'
How easy is it for us to communicate - what can you deduce about the ones we can recognise and their promenance as messages or values
Starter: What car would you choose to define you?
http://www.guzer.com/games/createaride.php
<br />
Semiotics Lecture - make notes:
What are the Myths - 'Normalised' Ideologies or Hegemony
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